David Bazan – Curse Your Branches

September 7, 2009

In 1998, David Bazan released It’s Hard to Find a Friend, the 1st of four LP’s under the Pedro the Lion moniker.  The album introduced Bazan’s songwriting which carried a strong Christian influence but also had a unique viewpoint on Christianity not seen from most “Christian” artists.  One such song, “Secret of the Easy Yoke”, an almost 7 minute long critique on Christianity, is to this day is still an anthem for the “disenfranchised and alienated Christian”, as Dave puts it.   Bazan is quick to point out that 11 or 12 years later, those same critiques remain, only this time, his perspective is from the other side of the fence as Dave’s highly publicized “breakup with God” is the inspiration behind the aptly titled Curse Your Branches, the first full-length album under David Bazan’s name.

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The name Pedro the Lion was retired after the group’s final tour and album, Achilles Heel, in 2004, ending years of Bazan being the posterboy for crossover Christian/secular artists.  For whatever reason, Pedro the Lion always took the lion’s share (no pun intended) of controversy from the evangelical public who just couldn’t quite wrap their head’s around such a genre.  While never actually claiming to be a Christian band, Bazan did indeed wear his faith on his sleeve, while at the same time covering subjects ranging from his aforementioned critiques on the Church, to his stories of corrupt politicians, murderers, and other Bazan parables (See all of Winners Never Quit or Control, and tracks such as “Transcontinental” or “Discretion”) that held a different perspective on humanity than many wouldn’t expect from a Christian artist.  At just about every one of Bazan’s Pedro shows, during one of his patented exchanges with the audience in between songs there would be that one guy who would without fail ask “So…are you really a Christian?”.  With the subject matter that Bazan covered up to this point in his career, it was clear that he had questions and concerns and why it should really come as no surprise that his doubts finally led to a falling away from God.

With Curse Your Branches, Bazan has written his most personal album yet, one that delves deeply into the issues that led to Dave to question his faith and eventually leave the Church.  He still speaks of God and The Bible, oftentimes speaking in a first person perspective, so it’s clear that he hasn’t necessarily cut all ties with the God he followed his entire life, but he now leans more toward agnosticism, but by no means is an atheist.  Bazan’s lyrics have always been the focal point of his music, however, they have rarely, if ever, captured such deep insight into the demons that have plagued him throughout the years.  Musically, Curse Your Branches does not offer anything new to the Bazan catalog.  The songs still contain their acoustic and at times folky stylings, with a bit of his synth influences from his lone Headphones album thrown in, most evident in opening tracks “Hard to Be” and “Bless This Mess”.  The songs are probably not as catchy or instantly memorable as in the past, but this is an album where it seems Bazan made sure the music takes a back seat to what he has to say.  Many longtime (and Christian) fans of David Bazan will certainly feel betrayed by Dave’s change of heart, and will probably stay away from Curse Your Branches for fear of hearing the arguments Bazan is making.  But those that give it a try will hear a very interesting album full of songs that examine the issues every person, Christian or not, should be asking themselves.  One thing is for sure after listening to Curse Your Branches…there will be a whole new set of questions for Bazan to answer at his shows, but the “Christian or not?” question shouldn’t come up, he’s answered that in full.

[“Bless This Mess” – Curse Your Branches]


Alec Ounsworth releases Flashy Python album

August 29, 2009

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Earlier this week, I’m checking my e-mail when I see this little nugget pop up in my inbox:

Hello out There,

My name is Alec Ounsworth.  I have completed a project called FLASHY PYTHON: SKIN AND BONES.  You can listen to the album (and buy it if you feel so inclined)here.

As you may or may not know, and I suppose the reason I’m writing you directly, another project that I have been working on for several years now is called CLAP YOUR HANDS SAY YEAH.  This is not that and that is this nor is it the other (the other often tragically confused with him or her) . . .

FLASHY PYTHON was conjured up and brought forth absolutely independently.  It was completed recently and released even more recently to no acclaim nor discredit as no “news sources” were informed of its completion.

The idea is to present the project purely (while we still can) and let the individual make up his or her own mind which, as it seems to me, is perhaps the primary benefit in the otherwise alienating age of modern technology and communication.

I also have another album coming out on October 20th on Anti Records called Mo Beauty.  You can hear a track from it over at stereogum. That is not this either.

Thanks for reading this email.

Sincerely,
Alec Ounsworth
www.pythonspalace.com

That made me feel special.  I couldn’t figure out for the life of me why I got this e-mail since I have never signed up for a CYHSY e-mail list or anything like that.  I have both the self-titled release as well as the underrated Some Loud Thunder, but didn’t buy them directly from the band or anything.  My guess is that I had to give my e-mail address a while back when I downloaded a demo of a new Clap Your Hands Say Yeah song that they played on Jimmy Fallon, but I really can’t remember…we’ll go with that.  Whatever the case, this was a pretty cool way to announce the release of an album.  You can click all the links provided in the e-mail above if you want to go stream the album.  I’ll go ahead and say, if you haven’t heard any Clap Your Hands Say Yeah, you might want to prepare yourself for Alec’s very unique voice…it isn’t for everybody.  I’ve listed to the stream a couple times and while I guess it’s nice to hear something new from Ounsworth, Skin and Bones certainly isn’t up to CYHSY par, but then again I doubt Alec will ever return to the level of the CYHSY debut.



Yet another post on The Antlers…

August 24, 2009
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Peter Silberman of The Antlers

I’ve already mentioned the Brooklyn trio here, here, and here throughout A Round of Sound’s short history, but I just feel it necessary to bring up their amazing album Hospice whenever I get a chance.  And well, another opportunity has presented itself as their live show from the August 21st Hospice re-release concert has been made available to download in its entirety.  The show can be downloaded here, but I of course suggest picking up the LP which after the Frenchkiss re-release is finally starting garner the praise it deserves.  It may be backwards to say this, but the live show doesn’t do the album justice…seriously.

Speaking of praise, Pitchfork finally got around to reviewing it and honored it with their Best New Music tag and recommended it on their ABC World News Webcast feature here.  Oh, and finally, you can catch their first video supporting the album which is of “Two”, one of the best songs of the year.  Phew! Ok, I promise no more Antlers news for a while…maybe


The Dodos – Time to Die

August 23, 2009

61tHFulJaZL._SS500_A little bit of polish can oftentimes be a good thing, but it can also rob a band of the raw energy that allows it to stand out, sacrificing what made previous efforts so intriguing; such is the case with Time to Die.  That’s not to say that Time to Die is a bad album, but after last year’s critically acclaimed release Visiter, it can only be considered a disappointment.  With Visiter, The Dodos brought a unique sound to the table full of percussion based, complex acoustic guitar tracks probably best exemplified in album standout “Fools” (the folks at Miller took notice and featured the song in a Miller Chill commercial).  The refreshing African inspired drum beats created an urgency to the music that really put a whole new spin on this whole indie-folk genre popping up all over the place.  Unfortunately for Time to Die, the percussion seems to be an afterthought, never really being featured, and the songs suffer for it.  The former duo has added a third member since Visiter, bringing in a full time vibraphone player who adds to the sound creating more lush tunes, but for the most part the songs on Time to Die just seem to lose their edge.

There is something to be said for maturation, which I do think Time to Die certainly can attest to.  The first three songs, including lead single “Fables” indeed show how the group has grown as songwriters, but overproduction and a loss of enthusiasm just seems to plague the disc.  The group brought on Phil Ek (The Shins, Fleet Foxes, Built to Spill) to produce Time to Die, but it just doesn’t seem to be the right fit for the San Francisco trio.  The group had already perfected their sound to create a uniqueness that really could have been exploited, but Ek seems to have missed out on that and fired a rare miss.  When it comes down to it, Time to Die is the results of a lo-fi band evolving into the next stage of their careers, which ultimately might be a fine thing.  But after releasing one brilliant album in Visiter, I guess I was just hoping a little more gradual shift, if a shift at all.

[“Fables” – Time to Die]


Lightning Dust – Infinite Light

August 22, 2009

JAG139It’s safe to say that mere seconds into Infinite Light, the second album from Lightning Dust, you can pretty much decide what side of the fence you sit on with the Vancouver duo.  Amber Webber’s warbling yet affecting vocals make their appearance shortly after a few soft strums of an acoustic guitar on opening track “Antonia Jane” and the stage is set for the rest of the folky, yet synth laden tracks that follow.  Lightning Dust is the side project of Black Mountain’s Amber Webber and Joshua Wells, but whereas Black Mountain is often described as having a harder more psych-rock sound, Lightning Dust is the avenue by which Webber and Wells can create more stripped down, melodic and softer tunes.

After “Antonia Jane” fades out, a machine driven drum beat leads into first single “I Knew”, a two-and-a-half minute jaunt which takes the album from the straight-forward approach of “Antonia Jane” to the eeriness of Webber’s vocals complimented by the synth based instrumentation that characterizes most of the album.  Webber’s vocals are still the distinguishing feature throughout, but the music steps it up a notch from their self-titled debut album back in 2007 to create melodies that can better serve Webber’s unique style.  Maybe this is best seen on album centerpiece “Never Seen” which features a glorious breakdown in the latter half of the track which for me is easily the highlight of the entire disc.  At 10 songs and just shy of 35 minutes, Infinite Light flies by.  But, with so much substance in the tracks included, it doesn’t feel like you’ve been cheated at all, unless you’re one of the few who decide against Lightning Dust after those first few seconds, in which case, maybe you should give it another try.

[“I Knew” – Infinite Light]

[“Never Seen” – Infinite Light]


A Round of Sound: Emo Style (pt 2)

July 26, 2009

20071111054913_gifs-animados-orkut-emo-02With the recent Sunny Day Real Estate news, I figured it’s about time I posted my second part to my “Emo Style” Round of Sound I posted way back when.  All the same holds true that I said back in that post concerning these songs.  There is still A LOT I have left off this playlist, and this isn’t meant as a definitive guide to what is “emo”, it’s just songs that at one time or another have been considered emo…like it or not.

A few notes about these tracks:  Some of these are just extensions of songs I posted on Part 1 meaning that a few of these bands have a counterpart from that list in that they may be side projects or a whole new band all together spawned from previous projects (ie. Further Seems Forever -> Dashboard Confessional, The Get Up Kids -> The New Amsterdams, Mineral -> The Gloria Record).  Also, some of these bands are still going strong (Cursive, Dashboard, New Amsterdams) and some of these bands are no longer but have spawned notable new acts (ie. American Football -> Owen, Promise Ring -> Maritime).  Anyway, I felt like all that was worth mentioning.

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[“Never Meant” – American Football :: American Football]

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[“The Shell” – Audio Learning Center :: Friendships Often Fade Away]

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[“Suspended” – Breaking Pangaea :: Cannon to a Whisper]

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[“Art Is Hard” – Cursive :: The Ugly Organ]

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[“The Brilliant Dance” – Dashboard Confessional :: The Places You Have Come to Fear the Most]

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[“Grace the Snow is Here” – The Gloria Record :: The Gloria Record – EP]

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[“The Cruelest Month” – Lewis :: Even So]

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[“I Won’t Run Away” – The New Amsterdams :: Never You Mind]

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[“Stop Playing Guitar” – The Promise Ring :: Wood/Water]

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[“In Circles” – Sunny Day Real Estate :: Diary]


The end of Wild Sweet Orange (sorta)

July 22, 2009
Garrett Kelly and Taylor Shaw (far left and 2nd from left, respectively) have performed their last WSO show.

Garret Kelly and Taylor Shaw (far left and 2nd from left, respectively) have performed their last WSO show.

This time last year Wild Sweet Orange was busy preparing for the release of their long awaited debut full-length, We Have Cause to Be Uneasy, by performing a CD release show in their hometown of Birmingham, Alabama.  Well, last night, the four piece performed what they called their “last Wild Sweet Orange show of sorts” at Workplay Theater in front of those very same hometown fans.  Over the weekend, on their myspace blog, WSO announced that longtime members Garret Kelly and Taylor Shaw would  be departing the band and Tuesday night’s show would be their last, leaving Preston Lovinggood and Chip Kilpatrick to carry on the Wild Sweet Orange banner.  So while this doesn’t mean the end of Wild Sweet Orange per se, it is the end of an era and at this point Preston and Chip are being pretty ambiguous as to how the band will progress from here on out.  But, I think it’s safe to say that a change in style is a very real possibility and many of their songs through the years may very well have been retired at last night’s concert.

Over at al.com, you can find uploaded videos from last night’s show so you can pretty much catch the whole thing including the final song complete with loads of hipster kids taking the stage to sing along.  YAY for teen angst!  But boo for the end of an era…

[“Ten Dead Dogs” – We Have Cause to Be Uneasy]


Edward Sharpe & The Magnetic Zeros

July 21, 2009

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I want to throw out a quick recommendation for an album that’s been tearing up my ipod since it’s recent release, and that’s Up From Below by LA’s Edward Sharpe & the Magnetic Zeros.  Edward Sharpe is the alter ego of frontman Alex Ebert and his Magnetic Zeros are the rest of the 11 or 12 musicians comprising a band that could easily be mistaken as a 60’s hippy group touring around in their converted school bus (they actually do that).  I first heard of the group when All Songs Considered discovered them at SXSW back in March, but I kind of forgot about them until a recent (rare) opportunity I had to listen to satellite radio and heard one of their songs which reminded me to check them out.  Up From Below, the debut album from the group, was recently released and I got a hold of it off of eMusic and have enjoyed it a great deal.  As you can imagine from their KCRW performance (seriously, go watch this now), their live show is supposedly incredible making their studio recordings a bit of a let down.  So the album may not do them justice but since I haven’t seen them live, it sounds just fine to me.  It’s certainly a throwback to the psych-folk rock of the 60’s and along with The Phenomenal Handclap Band, I’m enjoying this little retro feel the summer of ’09 has going for it to this point.

[“40 Day Dream” – Up From Below]


Just Discovered: Other Lives

July 16, 2009

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I’m often asked how I come across all the new music that I love listening to oh so much.  And while I don’t really find it too difficult, you just have to be willing to do some searching, a recent example is maybe the best answer I can give.  About a month ago, Paste Magazine released their Best Music of 2009 (So Far) which featured the favorite albums and songs from 7 of the magazine’s staff members.  Well, on one of those lists a single commenter made this small observation:

“I’m surprised no one has chosen ‘Paper Cities’ by Other Lives for one of the Best Songs of the Year.  It’s absolutely beautiful”

I was intrigued.  So after doing some research and checking eMusic for it’s availability…bada bing, bada boom, new music discovered.  The internet is an amazing tool.  An obscure comment by some guy on an albums of the year post led me to discover a release that I somehow missed out on.  It’s as simple as that.

Other Lives is a 5-piece band from Stillwater, Oklahoma but was formerly known as Kunek and released an instrumental album under that name back in 2004.  As Other Lives, they released their self-titled debut album a few months ago on TBD Records to little fanfare.  There seems to be some Radiohead comparisons which I find pretty lazy.  So the lead singer every now and then sounds a bit Thom Yorke-ish, thats about it.  Piano and strings play a large role in the music and fit nicely with the melancholy tone of most of the tunes and lyrics.  I would tend to compare the group more to Elvis Perkins (Ash Wednesday version more so than Dearland) off the top of my head and they have toured with Perkins earlier this year (as well as The Decemberists) so that comparison seems apt.  You can stop by their myspace page to pick up the two songs below as free downloads.  “Black Tables” was (apparently) featured on an episode of Grey’s Anatomy last season and “Paper Cities” lives up to the above commenter’s suggestion of it being one of the most beautiful songs of the year.

[“Black Tables” – Other Lives]

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[“Paper Cities” – Other Lives]


O’s at the Break

July 16, 2009

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Well, here we are at the All-Star break so what better time to summarize the Orioles 2009 season than at the halfway point.  So yeah…this could will be a long post.  First things first, I have to preface this post by mentioning that I couldn’t care less about the Orioles record this year.  No one (including the front office) expected the Orioles to contend or even come close to contending this year.  When COO and GM Andy Macphail took over in 2007 he said he didn’t expect to put a contender on the field until 2010 at the earliest.   The key to this season for the O’s is progress…on the major league club and in the minors.  So if you go by that judgment scale, the first half of ’09 has to be seen as a success.  So let’s break it down:

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