A Round of Sound: 2015 Mixtape

January 8, 2016

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Now we come to my annual playlist that caps off my list. I find it way to difficult to do a ranking of songs, so this is my way to capture the tracks that defined the year. As always, I try to make a playlist that fits on a standard CD-R, to kind of limit myself. Keep in mind these aren’t necessarily my favorite songs of the year, but rather a mix that I think is a good look at what 2015 had to offer. Also, the order is based on how the songs show up on their respective albums, and is in no way a ranking.

This year’s mix consists of 19 songs, down one track from year’s past. Seven of the songs come from albums in my top 10, with five songs from albums in my 11-25 range, leaving the remaining seven from those outside my top 25. The lowest ranked album to have a song featured is Pagans in Vegas from Metric, whose new synth pop direction didn’t always work rendering it 64th in my rankings, but it did give us one of the year’s best pop songs.

Below, you’ll see the tracklist as well as the Spotify playlist (RIP Rdio). Also, Amazon has discontinued their Listmania service, which is dumb, but if you want to see my entire Top 25 in simple list form, I’ve got it here on the list app. And finally, this is the 8th straight year Amy Runner has provided the album art for the mix. She’s basically the only person who gets even a hint of how my list is shaping up, so you should be extremely jealous.

2016 has a tough act to follow, but some recent developments (LCD Soundsystem! Radiohead, maybe!) have me more excited than I was just a week ago.

1) “Let It Happen” – Tame Impala :: Currents

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2) “Strange Hellos” – Torres :: Sprinter

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3) “My Baby Don’t Understand Me” – Natalie Prass :: Natalie Prass

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4) “Pretty Pimpin” – Kurt Vile :: b’lieve i’m goin down

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5) “Pedestrian At Best” – Courtney Barnett :: Sometimes I Sit and Think, and Sometimes I Just Sit

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6) “Should Have Known Better” – Sufjan Stevens :: Carrie & Lowell

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7) “Raising the Skate” – Speedy Ortiz :: Foil Deer

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8) “The Shade” – Metric :: Pagans in Vegas

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9) “Something Soon” – Car Seat Headrest :: Teens of Style

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10) “King Kunta” – Kendrick Lamar :: To Pimp a Butterfly

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11) “Fade Away” – Susanne Sundfør :: Ten Love Songs

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12) “West Coast” – FIDLAR :: Too

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13) “Flesh Without Blood” – Grimes :: Art Angels

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14) “Dimed Out” – Titus Andronicus :: The Most Lamentable Tragedy

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15) “Clearest Blue” – Chvrches :: Every Open Eye

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16) “A New Wave” – Sleater-Kinney :: No Cities To Love

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17) “Demon” – Shamir :: Ratchet

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18) “Downtown” – Majical Cloudz :: Are You Alone?

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19) “I Know There’s Gonna Be (Good Times)” – Jamie xx :: In Colour

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A Round of Sound: 2013 Mixtape

January 18, 2014

2013 Mixtape

Finally, it’s time for the annual playlist that caps off my countdown. Rather than do a ranking of favorite songs, I choose to compile what I think is a good representation for the year in music, all on an 80 minute CD-R. Per the norm, plenty of my favorite songs couldn’t find their way on here due to length, or production techniques of the track, so in some cases I’ve got songs on here that aren’t even my favorite from its respective album.

Other notes: I managed to squeeze 20 tracks onto this years mix, same as last year. This is a very top 25 heavy playlist, as only two songs show up from albums outside my top 25. Those songs being The World Is a Beautiful Place & I Am No Longer Afraid To Die’s “Gig Life” and Tegan and Sara’s “Closer” from their very nice album Heartthrob, my #35 album of the year, which is the lowest ranked album to find a song on my playlist in 2013. Of the remaining tracks, 10 come from albums in my #11-#25 range, and 8 from albums in my top 10. The only top 10 albums that don’t have a representative on my mix are Sunbather and Reflektor. As always, the order of the Mixtape is not a ranking, but rather an order based on how the song appears on its respective album.

Below, you’ll see the tracklist, and after the jump you can listen to every track if you so choose. I’ve also created Rdio and Spotify playlists, the latter of which is embedded below. (Note, “new you” isn’t available on either service.)  There’s also my Amazon.com list which has my entire top 25 albums of the year, nice and neat in a one page form (and access to my all my lists since 2001). And last but not least, this is the 6th straight year Amy Boyd has stepped up to provide me my album art. She actually spent part of her birthday working on this, but that’s why she gets paid the big bucks. (Disclaimer: there are no bucks being transferred, much less big ones.)

2013 was a great year for music, and a very tough act to follow. Let’s see what you got, 2014.

1) “Closer” – Tegan and Sara :: Heartthrob
2) “You & I” – Local Natives :: Hummingbird
3) “The Mother We Share” – Chvrches :: The Bones of What You Believe
4) “KV Crimes” – Kurt Vile :: Wakin On a Pretty Daze
5) “Backyard Skulls” – Frightened Rabbit :: Pedestrian Verse
6) “Counting” – Autre Ne Veut :: Anxiety
7) “Song for Zula” – Phosphorescent :: Muchacho
8) “Borrowed Time” – Parquet Courts:: Light Up Gold
9) “Royals” – Lorde :: Pure Heroine
10) “Step” – Vampire Weekend :: Modern Vampires of the City
11) “The Wire” – Haim :: Days Are Gone
12) “Byegone” – Volcano Choir :: Repave
13) “Sea of Love” – The National :: Trouble Will Find Me
14) “Dropla” – Youth Lagoon :: Wondrous Bughouse
15) “new you” – My Bloody Valentine :: m b v
16) “Hold On, We’re Going Home” – Drake :: Nothing Was The Same
17) “Avocado, Baby” – Los Campesinos! :: No Blues
18) “She Will” – Savages :: Silence Yourself
19) “Gig Life” – The World Is A Beautiful Place… :: Whenever, If Ever
20) “Doin’ It Right”  – Daft Punk :: Random Access Memories


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Top Albums of 2013: #11 thru #25

January 15, 2014

The Countdown can now begin with my 15 albums that make up #11 through #25. There’s really no logic governing which albums I chose to do a write up for here. I didn’t want to write something about all of them, but felt like a few deserved a little blurb.

#25) Parquet Courts – Light Up Gold

921387d28bf0e2139f423d80fc68bca7-98Initially self-released in 2012, Light Up Gold was picked up by New York based label What’s Your Rupture? and rereleased in 2013 to rather great critical praise, so yeah technically a reissue, but barely, so I’m breaking my own rules here. This is the proper debut for the Brooklyn-based quartet and it’s an infectious group of clever punk-rock songs. 15 tracks are crammed on to this LP, and fly by at 34 minutes. The style is youthful, yet smart, garage band rock sung with a loose and free exuberance that’s about as self-assured a debut as you’ll find.

[“Stoned and Starving” – Light Up Gold]

#24) Drake – Nothing Was The Same

#23) The Flaming Lips – The Terror

#22) Volcano Choir – Repave

48b03af986a72f037681efd7bc62bcc5-98The second album from the Justin Vernon (Bon Iver) side project is a much more straightforward release eschewing the spacey atmospherics of Volcano Choir’s debut, and it’s all the better for it. Not to say Unmap didn’t have its moments, or was even failure, far from it. It was an avenue for Vernon, along with collaborators Collections of Colonies of Bees, to experiment with the ethereal and create a unique listening experience.  However, Repave is much more accessible and consists of gorgeous songs more in line with the Vernon repertoire that could easily fit on his most recent Bon Iver effort, most notably back to back tracks “Comrade” and “Byegone”. This is an album that acts as an expansion of the Bon Iver sound, which is what many fans hoped for when this project was announced.

[“Comrade” – Repave]

#21) Laura Marling – Once I Was An Eagle

#20) Okkervil River – The Silver Gymnasium

8dc1fe13ace2e297ed7cb7bf0ab87858-98No stranger to concept albums, Okkervil River returns to the craft with their seventh album and ATO debut, The Silver Gymnasium, which was inspired by frontman Will Scheff’s hometown of Meriden, New Hampshire. Taking place in the 80’s, this album is a nostalgic look at adolescence during that era and an ominous, yet reverent take on youthful naivety transitioning to cynical adulthood. Scheff captures the time and place perfectly with songs that while not quite displaying the manic energy of previous albums, in some ways are as smart and well written as anything in the band’s catalog.

[“Down Down The Deep River” – The Silver Gymnasium]

#19) Deerhunter – Monomania

#18) Los Campesinos! – No Blues

#17) Kanye West – Yeezus

#16) Kurt Vile – Wakin On A Pretty Daze

#15) Autre Ne Veut – Anxiety

559ccd7c89360cee66599eb55a88d0d8-98Autre Ne Veut is the stage name of Brooklyn musician Arthur Ashin, an artist so private, largely thanks to a social anxiety disorder, that he didn’t even reveal his identity until two years after his 2010 debut album. His appropriately titled follow up, Anxiety, is an emotional juggernaut, yet refuses to let its heaviness get in the way of some damn good alt-R&B songs. These are accessible and immediate tunes making the album an enjoyable and rewarding listen thanks in no small part to the opening two tracks, each respectively song of the year contenders. Trying to decide if I prefer “Play By Play” and its explosive chorus or the dark, yet catchy, anxiousness of “Counting” more is a debate just not worth having when they’re both done this well.

[“Play By Play” – Anxiety]

#14) My Bloody Valentine – m b v

#13) Savages – Silence Yourself

4aeee188108d93ccf899aba9ce884465-98In a year for very successful female pop debuts, consider Savages the antithesis of all those groups, not in success, but in sound. Silence Yourself isn’t marketable polished pop, but rather loud abrasive post-punk done in such a forceful way to create a refreshing listen full of genuine angst and intensity. Savages is a female quartet from London, whose debut album was one of the more highly anticipated releases of 2013, thanks in part to their song “Husbands” which emerged in the summer of 2012. “Husbands” appears on Silence Yourself, but it’s “She Will” that emerges as the best track here displaying the confidence and swagger of these girls.

[“She Will” – Silence Yourself]

#12) Local Natives – Hummingbird

#11) Frightened Rabbit – Pedestrian Verse

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A Round of Sound: 2011 Mixtape

January 24, 2012

Finally, it’s time for the annual playlist that caps off my little countdown. Rather than do a ranking of favorite songs, I choose to compile what I think is a good representation for the year in music, all on an 80 minute CD-R. There’s plenty of songs I had to leave off the mix due to their length or lack of fit, so this is by no means my top 19 songs of the year. I do want to give a shout out the bookends of this disc which are from a couple bands who I finally found a way to get on my year end mixtape. Martime is not the kind of band that will ever challenge for high ranking in my albums list, but they are still one of my personal favorites because they write damn good pop-rock songs with “It’s Casual” serving as a great example. Human Hearts was another very good album from them and it’s been long overdue finding a place for one of their tracks on my mixtape. Likewise for The Mountain Goats, who are pretty much a top 25 staple for me when they release an album. John Darnielle is one of the best songwriters in the world today, and “High Hawk Season” is one of the more stunning songs of his career and the easy standout on All Eternals Deck. Also, kudos to Los Campesinos! who make their third appearance on one of my year end mixtapes, breaking a tie with numerous other bands to give them the overall lead.

Other notes: As I said, I managed to squeeze 19 tracks onto this years mix, up one from 2010. The lowest ranked album that has a song appear on the mix comes from the aforementioned Human Hearts by Maritime which was my #40 album of the year. In addition to that track, there are 3 other songs coming from albums outside my top 25. There are six tracks representing my #11-#25 albums, and 9 tracks from my top 10 albums. The only top 10 album not represented on the mix is Burst Apart from The Antlers. And as usual, the order of the Mixtape is not a ranking, but rather just the best order I came up with.

Below, you’ll see the tracklist, and after the jump you can listen to every track if you so choose. If you’re one of those super-cool Spotify users, I’ve also created a Spotify playlist of my Mixtape, which you can link to below. Also included is a link to my Amazon.com list which has my entire top 25 albums of the year, nice and neat in a one page form (as well as access to my lists from the previous 10 (!) years). Last but not least, Amy Boyd has once again stepped up to create some very fine album art for my Mixtape. This is the 4th straight year she’s helped me out, so as gratitude, I’ve included a link to her pop-culture blog as a permanent fixture over under my links section. She likes to call me Don Draper during the design process, which I consider much more of a compliment than I think she’s intending, so it’s the least I could do. You’re welcome.

So, that’s a wrap for 2011, and if you’ll excuse me I’m already behind on the 2012 releases…seriously.

Top Albums of 2011 (Amazon.com link)

2011 Mixtape (Spotify playlist)

1) “It’s Casual” – Maritime :: Human Hearts
2) “Need You Now” – Cut Copy :: Zonoscope
3) “Baby’s Arms” – Kurt Vile :: Smoke Ring For My Halo
4) “Abducted” – Cults :: Cults
5) “Get Away” – Yuck :: Yuck
6) “Ice Cream” – Battles :: Gloss Drop
7) “Midnight City” – M83 :: Hurry Up, We’re Dreaming
8) “Cruel” – St. Vincent :: Strange Mercy
9) “The Wilhelm Scream” – James Blake :: James Blake
10) “It’s Real” – Real Estate :: Days
11) “Hello Sadness” – Los Campesinos! :: Hello Sadness
12) “Amor Fati” – Washed Out :: Within and Without
13) “Holocene” – Bon Iver :: Bon Iver
14) “The Words That Maketh Murder” – PJ Harvey :: Let England Shake
15) “Civilian” – Wye Oak :: Civilian
16) “Vomit” – Girls :: Father, Son, Holy Ghost
17) “Bizness” – tUnE-yArDs :: w h o k i l l
18) “Helplessness Blues” – Fleet Foxes :: Helplessness Blues
19) “High Hawk Season”  – The Mountain Goats :: All Eternals Deck

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Top Albums of 2011: #11 thru #25

January 20, 2012

The Countdown can now begin with my 15 albums that make up #11 through #25. There’s really no logic governing which albums I chose to do a write up for here. I didn’t want to write something about all of them, but felt like a few deserved a little blurb.

#25) Cut Copy – Zonoscope

The first half of Zonoscope is as good as anything released in 2011. That’s not to say the second half is bad, it just can’t quite keep up with the lush synth-pop scattered throughout the first 5 or 6 tracks. Cut Copy’s previous album was a critical darling, and as a follow up some think Zonoscope falls short, but it’s still full of hooks and for me confirms the great songwriting ability from this Australian dance-rock band.   Opening track “Need You Now” is one of the best songs of the year and the kind of song most artists spend their whole career trying to create. For Cut Copy, it’s second nature.

[“Need You Now” – Zonoscope]

#24) The Pains of Being Pure at Heart – Belong

#23) Smith Westerns – Dye It Blonde

#22) EMA – Past Lives Martyred Saints

#21) The Mountain Goats – All Eternals Deck

#20) TV On The Radio – Nine Types of Light

#19) Los Campesinos! – Hello Sadness

#18) The War On Drugs – Slave Ambient

While Kurt Vile may have released a more critically acclaimed album in 2011, what his former band did with Slave Ambient should not be ignored. Slave Ambient is the 2nd album from these guys, and first without Vile (who wasn’t that integral in the band’s sound anyway). It’s an atmospheric album, but one that’s also subtly infectious with song after song of  memorable melodies channeling Americana heroes such as Petty, Dylan, and Springsteen.

[“Baby Missiles” – Slave Ambient]

#17) The Field – Looping State of Mind

#16) Destroyer – Kaputt

I’ve always been quite intrigued by Dan Bejar. As a member of indie-pop super group The New Pornographers, he’s always struck me as the odd man out. To me, that group has been more of an avenue for Carl Newman to flex his power-pop muscles, while Bejar merely sprinkles in his style of avant-garde indie-rock. He seems to save his creativity for his Destroyer project, and Kaputt does nothing to disprove that. You really never know what you’re going to get from a Destroyer album, and a 80’s style soft rock record certainly fits the bill. It’s still a Destroyer record through and through, and with talk that he may be retiring the moniker, it’s a hell of a way to go out.

[“Kaputt” – Kaputt]

#15) Akron/Family – S/T II: The Cosmic Birth and Journey of Shinju TNT

This is an album I expected to get a lot more love when the end of the year lists came out, but for some reason it quietly went into the night and after it’s February release was seemingly forgotten. It’s for that reason that I consider the 5th album from these experimental psych-folk rockers the most underrated album of the year. Akron/Family has never been short on ambition and with this, their second “self-titled” album, they’re showing that they’re always ready to reinvent themselves, yet remain accessible.

[“Another Sky” – S/T II: The Cosmic Birth and Journey of Shinju TNT]

#14) Kurt Vile – Smoke Ring For My Halo

#13) Yuck – Yuck

Oftentimes when wearing your influences on your sleeve you can get buried by them. Not so for these young Brits, as they’ve packed their debut album full of 90’s era grunge and indie rock, but managed to create something of their own as well. And as much as everyone loves to analyze everything about an album, sometimes it’s refreshing to find a record like this that’s  just so damn fun to listen to and conveys such exuberance from the artist that it’s impossible to not sit back and enjoy it for what it is. It can be nostalgic if you want it to be, but Yuck mixes enough modern indie-rock with the old that it’s not a prerequisite for enjoyment.

[“Georgia” – Yuck]

#12) Drake – Take Care

I think what fascinates me the most about hip-hop is that in most genres, self-indulgence is often criticized the most as to what holds an album back from greatness (see Ceremonials from Florence + The Machine), but in hip-hop it’s a characteristic that is to be lauded and what usually allows an album to excel. Take Kanye’s masterful album last year, which will go down as maybe the most over-indulgent album I’ve ever listened to, but it had enough self-deprecation that it was obvious Kanye knew what he was doing by pointing out his own narcissism. Drake’s album Take Care, is the finest hip-hop release of the year, and succeeds largely on it’s own indulgence, but whereas Kanye’s album had an almost satirical self-assuredness, Drake’s is just immensely personal. Self-absorbed, sure. But in the hip-hop world, that’s what drives success.

[“Headlines” – Take Care]

#11) Wye Oak – Civilian

This is one of my biggest surprises of the year. It’s not that I was down on Wye Oak or anything, I just didn’t expect to love this album as much as I did. I specifically remember driving around one day with this album playing on my ipod and thinking to myself “OK, this is really good album.” It was possibly my most listened to album of 2011, thanks in large part to songs that engage with their beautiful yet tension filled melodies. It’s amazing how rich of a sound this Baltimore duo can get out of their scaled-down tunes, while still keeping the intimacy that makes them so pleasing. There’s a depth and darkness to each song on Civilian that took Wye Oak to a new level that most likely surprised everybody but themselves.

[“Holy Holy” – Civilian]

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