Top Albums of 2012: #11 thru #25

January 17, 2013

The Countdown can now begin with my 15 albums that make up #11 through #25. There’s really no logic governing which albums I chose to do a write up for here. I didn’t want to write something about all of them, but felt like a few deserved a little blurb.

#25) Titus Andronicus – Local Business

eae5070571451cddb5c329015b50278d-98Titus Andronicus’s previous album was my 2010 album of the year and quite possibly my favorite album of the last half-decade, so a let down was to be expected on their follow up release. Local Business certainly doesn’t reach the heights of The Monitor but there’s no shame in that, especially when Patrick Sickles and crew continue to pump out punk-rock anthems few bands can match. With a smaller cast of musicians, Titus has tightened up a good bit musically leading to maybe the most radio friendly track they’ve produced in “In A Big City” and a focused set of songs without sacrificing their spontaneity. The album opens with the line “I think by now we’ve established everything is inherently worthless / and there’s nothing in the universe with any kind of objective purpose”, so their nihilistic world view remains in full force, but there probably isn’t a better example of a band today who believes rock ‘n roll might just be powerful enough to reverse that thinking.

[“In A Big City” – Local Business]

#24) Animal Collective – Centipede HZ

#23) Chairlift – Something

b605c2a1baabe4637d99fb89effb3e74-98The second album from the Brooklyn duo is a polished set of synth laden indie-pop songs which could be used as a shining example of how to create such music. This is just plain an enjoyable album full of exquisite pop songs carried by the voice of Caroline Polacheck but built around catchy melodies and an 80’s nostalgic vibe. In no song is this more evident than in the glorious “I Belong In Your Arms” which feels ripped directly from a John Hughes teen flick. Something is accessible enough to get immediately immersed in, but complex enough to not come across superficial. It’s a confident and elegant release that announces Chairlift as a pop band not to be forgotten.

[“I Belong In Your Arms” – Something]

#22) Alabama Shakes – Boys & Girls

#21) Jessie Ware – Devotion

#20) Allo Darlin’ – Europe

017c2a1d8bcdec7f9a34702762b7b034-98London-based Allo Darlin’s second album of sophisticated indie-pop is a step forward for the Elizabeth Morris fronted group. On Europe, Morris has penned songs more maudlin than twee which serves her well as it gives these songs a depth that puts Allo Darlin’ in the same breadth as Belle & Sebastian or better yet, Camera Obscura. The songs are instantly memorable but have a heartfelt sensibility allowing for a stunning ukulele soliloquy “Tallulah” to stop the listener dead in his or her tracks. “Tallulah” is the kind of song that can completely overshadow an album, and as one of the best songs of the year, it does that to an extent. But that’s more a testament to its greatness and not the quality of the other songs on Europe. Start to finish, this is an album of infectious brit-pop overflowing with warmth and richness.

[“Tallulah” – Europe]

#19) The Mountain Goats – Transcendental Youth

#18) Twin Shadow – Confess

e62c73680f3113671c13421ccc1dadfe-98Another notch in the bedpost of 80’s pop revivalism, Brooklyn’s Twin Shadow has created another nostalgic album channeling 80’s pop mainstays from The Police to Prince. The brainchild behind Twin Shadow is Dominican born George Lewis Jr, and for Confess, Lewis fully embraced his 80’s persona churning out song after song of new wave synth-pop that instantly conjures images an era he clearly reveres. Whether it’s the power ballad of “Be Mine Tonight” or the driving rhythm and guitar hooks of “Five Seconds”, Lewis unabashed esteem for 80’s pop is clearly on display, but in no way ironic.   Sure, the stylization may be a little on the nose and contrived (I mean, just look at that album cover), but who cares when the music is crafted so masterfully.

[“Five Seconds” – Confess]

#17) Father John Misty – Fear Fun

#16) Grimes – Visions

cd6c7ecff0f8b5302dacd5d2c17e7425-98The eccentricities of Claire Boucher really can’t be discussed without first mentioning her failed attempt to house-boat down the Mississippi River, an example of her ambitious confidence that is scattered all throughout her breakthrough album Visions. Listening to this hodgepodge of an album, it’s hard to nail down a specific genre Grimes is conveying as the tunes are an eclectic mix of influences yet somehow incredibly cohesive. But when she’s writing more straightforward electro-pop songs, the results are breathtaking, as seen on “Genesis” and “Oblivion”, a couple early album stunners that showcase her knack for melody and sweetness with an underlying darkness, intensity, and well, feminism. Visions is one of the most original albums of the year from an artist allowing us a peek inside the workings of her idiosyncratic mind.

[“Genesis” – Visions]

#15) Beach House – Bloom

#14) The Walkmen – Heaven

#13) Spiritualized – Sweet Heart Sweet Light

#12) Swans – The Seer

f3d822edd38a6921d494028168f65f1c-98Adjectives that can be used to Swans monumental, career defining album: Dark. Heavy. Intense. Powerful. Terrifying. Progressive. Experimental. Challenging. Demanding. Exhausting. Ambitious. Beautiful. Atmospheric. Brutal. Bleak. Immense. Bold. Epic. Triumphant. Brilliant. I could go on…

[“Lunacy” – The Seer]

#11) Sharon Van Etten – Tramp

d34fb5ca377ee350dc699d8c05365be7-98

The third album from Van Etten is her best work yet featuring guest spots from Wye Oak’s Jenn Wasner, Beirut’s Zach Condon, and The Walkmen’s Matt Barrick, to name a few, but the smartest move she made was in recruiting The National’s Aaron Dessner to produce these 12 tracks. (Dessner’s brother, Bryce, also appears on lead single “Serpents”.) Dessner takes Van Etten’s folk tunes to new levels of significance fully realizing her songwriting potential as well as emphasizing her voice and emotional depth of her music.

[“Serpents” – Tramp]

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Posted by Hawkins

A Round of Sound: 2011 Mixtape

January 24, 2012

Finally, it’s time for the annual playlist that caps off my little countdown. Rather than do a ranking of favorite songs, I choose to compile what I think is a good representation for the year in music, all on an 80 minute CD-R. There’s plenty of songs I had to leave off the mix due to their length or lack of fit, so this is by no means my top 19 songs of the year. I do want to give a shout out the bookends of this disc which are from a couple bands who I finally found a way to get on my year end mixtape. Martime is not the kind of band that will ever challenge for high ranking in my albums list, but they are still one of my personal favorites because they write damn good pop-rock songs with “It’s Casual” serving as a great example. Human Hearts was another very good album from them and it’s been long overdue finding a place for one of their tracks on my mixtape. Likewise for The Mountain Goats, who are pretty much a top 25 staple for me when they release an album. John Darnielle is one of the best songwriters in the world today, and “High Hawk Season” is one of the more stunning songs of his career and the easy standout on All Eternals Deck. Also, kudos to Los Campesinos! who make their third appearance on one of my year end mixtapes, breaking a tie with numerous other bands to give them the overall lead.

Other notes: As I said, I managed to squeeze 19 tracks onto this years mix, up one from 2010. The lowest ranked album that has a song appear on the mix comes from the aforementioned Human Hearts by Maritime which was my #40 album of the year. In addition to that track, there are 3 other songs coming from albums outside my top 25. There are six tracks representing my #11-#25 albums, and 9 tracks from my top 10 albums. The only top 10 album not represented on the mix is Burst Apart from The Antlers. And as usual, the order of the Mixtape is not a ranking, but rather just the best order I came up with.

Below, you’ll see the tracklist, and after the jump you can listen to every track if you so choose. If you’re one of those super-cool Spotify users, I’ve also created a Spotify playlist of my Mixtape, which you can link to below. Also included is a link to my Amazon.com list which has my entire top 25 albums of the year, nice and neat in a one page form (as well as access to my lists from the previous 10 (!) years). Last but not least, Amy Boyd has once again stepped up to create some very fine album art for my Mixtape. This is the 4th straight year she’s helped me out, so as gratitude, I’ve included a link to her pop-culture blog as a permanent fixture over under my links section. She likes to call me Don Draper during the design process, which I consider much more of a compliment than I think she’s intending, so it’s the least I could do. You’re welcome.

So, that’s a wrap for 2011, and if you’ll excuse me I’m already behind on the 2012 releases…seriously.

Top Albums of 2011 (Amazon.com link)

2011 Mixtape (Spotify playlist)

1) “It’s Casual” – Maritime :: Human Hearts
2) “Need You Now” – Cut Copy :: Zonoscope
3) “Baby’s Arms” – Kurt Vile :: Smoke Ring For My Halo
4) “Abducted” – Cults :: Cults
5) “Get Away” – Yuck :: Yuck
6) “Ice Cream” – Battles :: Gloss Drop
7) “Midnight City” – M83 :: Hurry Up, We’re Dreaming
8) “Cruel” – St. Vincent :: Strange Mercy
9) “The Wilhelm Scream” – James Blake :: James Blake
10) “It’s Real” – Real Estate :: Days
11) “Hello Sadness” – Los Campesinos! :: Hello Sadness
12) “Amor Fati” – Washed Out :: Within and Without
13) “Holocene” – Bon Iver :: Bon Iver
14) “The Words That Maketh Murder” – PJ Harvey :: Let England Shake
15) “Civilian” – Wye Oak :: Civilian
16) “Vomit” – Girls :: Father, Son, Holy Ghost
17) “Bizness” – tUnE-yArDs :: w h o k i l l
18) “Helplessness Blues” – Fleet Foxes :: Helplessness Blues
19) “High Hawk Season”  – The Mountain Goats :: All Eternals Deck

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Top Albums of 2011: #11 thru #25

January 20, 2012

The Countdown can now begin with my 15 albums that make up #11 through #25. There’s really no logic governing which albums I chose to do a write up for here. I didn’t want to write something about all of them, but felt like a few deserved a little blurb.

#25) Cut Copy – Zonoscope

The first half of Zonoscope is as good as anything released in 2011. That’s not to say the second half is bad, it just can’t quite keep up with the lush synth-pop scattered throughout the first 5 or 6 tracks. Cut Copy’s previous album was a critical darling, and as a follow up some think Zonoscope falls short, but it’s still full of hooks and for me confirms the great songwriting ability from this Australian dance-rock band.   Opening track “Need You Now” is one of the best songs of the year and the kind of song most artists spend their whole career trying to create. For Cut Copy, it’s second nature.

[“Need You Now” – Zonoscope]

#24) The Pains of Being Pure at Heart – Belong

#23) Smith Westerns – Dye It Blonde

#22) EMA – Past Lives Martyred Saints

#21) The Mountain Goats – All Eternals Deck

#20) TV On The Radio – Nine Types of Light

#19) Los Campesinos! – Hello Sadness

#18) The War On Drugs – Slave Ambient

While Kurt Vile may have released a more critically acclaimed album in 2011, what his former band did with Slave Ambient should not be ignored. Slave Ambient is the 2nd album from these guys, and first without Vile (who wasn’t that integral in the band’s sound anyway). It’s an atmospheric album, but one that’s also subtly infectious with song after song of  memorable melodies channeling Americana heroes such as Petty, Dylan, and Springsteen.

[“Baby Missiles” – Slave Ambient]

#17) The Field – Looping State of Mind

#16) Destroyer – Kaputt

I’ve always been quite intrigued by Dan Bejar. As a member of indie-pop super group The New Pornographers, he’s always struck me as the odd man out. To me, that group has been more of an avenue for Carl Newman to flex his power-pop muscles, while Bejar merely sprinkles in his style of avant-garde indie-rock. He seems to save his creativity for his Destroyer project, and Kaputt does nothing to disprove that. You really never know what you’re going to get from a Destroyer album, and a 80’s style soft rock record certainly fits the bill. It’s still a Destroyer record through and through, and with talk that he may be retiring the moniker, it’s a hell of a way to go out.

[“Kaputt” – Kaputt]

#15) Akron/Family – S/T II: The Cosmic Birth and Journey of Shinju TNT

This is an album I expected to get a lot more love when the end of the year lists came out, but for some reason it quietly went into the night and after it’s February release was seemingly forgotten. It’s for that reason that I consider the 5th album from these experimental psych-folk rockers the most underrated album of the year. Akron/Family has never been short on ambition and with this, their second “self-titled” album, they’re showing that they’re always ready to reinvent themselves, yet remain accessible.

[“Another Sky” – S/T II: The Cosmic Birth and Journey of Shinju TNT]

#14) Kurt Vile – Smoke Ring For My Halo

#13) Yuck – Yuck

Oftentimes when wearing your influences on your sleeve you can get buried by them. Not so for these young Brits, as they’ve packed their debut album full of 90’s era grunge and indie rock, but managed to create something of their own as well. And as much as everyone loves to analyze everything about an album, sometimes it’s refreshing to find a record like this that’s  just so damn fun to listen to and conveys such exuberance from the artist that it’s impossible to not sit back and enjoy it for what it is. It can be nostalgic if you want it to be, but Yuck mixes enough modern indie-rock with the old that it’s not a prerequisite for enjoyment.

[“Georgia” – Yuck]

#12) Drake – Take Care

I think what fascinates me the most about hip-hop is that in most genres, self-indulgence is often criticized the most as to what holds an album back from greatness (see Ceremonials from Florence + The Machine), but in hip-hop it’s a characteristic that is to be lauded and what usually allows an album to excel. Take Kanye’s masterful album last year, which will go down as maybe the most over-indulgent album I’ve ever listened to, but it had enough self-deprecation that it was obvious Kanye knew what he was doing by pointing out his own narcissism. Drake’s album Take Care, is the finest hip-hop release of the year, and succeeds largely on it’s own indulgence, but whereas Kanye’s album had an almost satirical self-assuredness, Drake’s is just immensely personal. Self-absorbed, sure. But in the hip-hop world, that’s what drives success.

[“Headlines” – Take Care]

#11) Wye Oak – Civilian

This is one of my biggest surprises of the year. It’s not that I was down on Wye Oak or anything, I just didn’t expect to love this album as much as I did. I specifically remember driving around one day with this album playing on my ipod and thinking to myself “OK, this is really good album.” It was possibly my most listened to album of 2011, thanks in large part to songs that engage with their beautiful yet tension filled melodies. It’s amazing how rich of a sound this Baltimore duo can get out of their scaled-down tunes, while still keeping the intimacy that makes them so pleasing. There’s a depth and darkness to each song on Civilian that took Wye Oak to a new level that most likely surprised everybody but themselves.

[“Holy Holy” – Civilian]

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Top Albums of 2009: #11-#25

January 10, 2010

So now it’s time to get to the actual rankings.  Today I’m unveiling the 15 albums that make up #11 through #25 in this year’s rankings.  I’m only including a little blurb and a track for albums that I haven’t already blurbed about on the blog.  For the others, click on the band name to link to its write up.

#25) Wild Beasts – Two Dancers

#24) Japandroids – Post-Nothing

#23) Thao with The Get Down Stay Down – Know Better Learn Faster

Know Better Learn Faster is a joy to listen to, full of 13 bubbly and infectious tunes from Thao Nguyen and her backing band. Thao’s lyrics are sweet but pack a sense of feminine empowerment with their straightforward approach with lines like “I disarm you in the morning” in the title track and “What am I, just a body in your bed?” from the handclapping and horn driven “Body”.  The songwriting is exquisite and by the second track and my personal favorite “Cool Yourself” you’re instantly drawn in and before you know it 37 minutes has flown by with not a dull moment to be found.

[“Cool Yourself” – Know Better Learn Faster]

#22) Edward Sharpe and the Magnetic Zeros – Up From Below

#21) The Big Pink – A Brief History of Love

#20) The Rural Alberta Advantage – Hometowns

If this album had been released 10 years ago, it very well could have been thrown in among the late 90’s emo/indie scene, but thankfully in 2009 it gets to stand on its own despite being picked up and re-issued by renowned “emo” label Saddle Creek (Cursive, Bright Eyes, The Faint). Hometowns is unapologetically raw album brimming with confidence from the Toronto based trio complete with emotional, yes emotional, vocals and  personal lyrics.  The musicianship is simple but inspired as the drums really carry the songs but not to be outdone by the subtle orchestration from strings and keyboards.  Hometowns is a very refreshing and surprisingly fantastic debut that from a group overflowing with potential.

[“Don’t Haunt This Place” – Hometowns]

#19) The Mountain Goats – The Life of the World to Come

Just a quick glance at the tracklist of The Life of the World to Come can be quite a headscratcher with every song title named after a Bible verse.  However, inspiration can come from anywhere for frontman John Darnielle.  The Mountain Goats has never been, and never will be a Christian band, but John Darnielle, despite being a non-believer, is an avid reader and lover of the Bible, as he professed on his Colbert Report appearance.  The Life of the World to Come is not a religious album by any means, as Darnielle takes the lessons from these 12 Bible verses and applies them to his usual 3 or 4 minute long epics. This album does nothing to change Darnielle’s reputation as one of the 100 greatest living songwriters; it probably only strengthens that belief.

[“Genesis 3:23” – The Life of the World to Come]

#18) Built to Spill – There Is No Enemy

A band like Built to Spill has to look at the current state of indie rock and glow with pride.  Becoming one of the first indie rock bands to jump to a major label back when Warner Bros signed the band back in 1997, BTS returns with their 5th major label release and 7th overall with There is No Enemy, another excellent album for the Built to Spill catalog.  As a follow up to 2006’s You in Reverse, There Is No Enemy is a more polished effort but recaptures some of the heart that You in Reverse was missing.  Doug Martsch has to be considered a Godfather of current indie rock and he has hinted that this could be Built to Spill’s final release.  If so, they have gone out in very fine fashion and left another album for up and comers to look up to.

[“Hindsight” – There Is No Enemy]

#17) Neko Case – Middle Cyclone

#16) The Avett Brothers – I and Love and You

#15) Lightning Dust – Infinite Light

#14) Dinosaur Jr. – Farm

Back with their second album since their reunion, Farm picks up right where 2007’s Beyond left off but manages to trump it in every facet.  Farm is overflowing with the guitar drenched catchy tunes full of riffs and solos everyone would have expected Dinosaur Jr. to put out back prior to 1988, when the original lineup disbanded.  While it’s predecessor was successful possibly because of the excitement of a reunion, Farm can truly stand on it’s own as one of Dinosaur Jr’s finest.

[“Pieces” – Farm]

#13) Califone – All My Friends Are Funeral Singers

The vastly under-appreciated Chicago group returns with another collection of their experimental folk-rock songs that is again going by relatively unnoticed. Califone consistently releases some of the most interesting albums and All My Friends Are Funeral Singers is no different. The album is the soundtrack to a companion film by the same name that band created and plans to present on their tour and submit to festivals in 2010.  However, the album stands just fine on its own and might actually be some of the most tightly constructed songs of the band’s career.  The meanings of the songs should become more clear upon viewing the film, but it’s not a necessary viewing to appreciate what an impressive release it is.

[“Funeral Singers” – All My Friends Are Funeral Singers]

#12) Sunset Rubdown – Dragonslayer

A year just wouldn’t be complete without multiple releases from Spencer Krug, one of the hardest working men in indie rock. After last year’s underwhelming Wolf Parade release, Krug released another Swan Lake album, announced another album from his Moonface project, and managed to slip in his best non-Wolf Parade release yet in Dragonslayer.  The album still features Krug’s warbling vocals, but is more accessible than his previous efforts and the backing female vocals absolutely shine on this album like none before.  It’s the easiest Sunset Rubdown album to listen to, but still contains all the quirks and ambitions that makes Krug such a brilliant musician.

[“Silver Moons” – Dragonslayer]

#11) Passion Pit – Manners

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